
When I first started making atc's a couple of years ago, I also made 4 canvases for my youngest brother as a birthday present, the other "You Go Girl" canvas that was in a previous post was also one of them. As you can see from these other 2 that I made for him, I am going more textural and intricate with my layering on canvases these days. These previous ones are much more like just big atc's - fairly flat without much dimension.....well....maybe my early atc's, not my later ones. (These are 4" x 6")

Now for a little tip or two...I'm sure most of you have at least 1 or 2 (or maybe 24!) of the Ranger Distress Pads. You can use these wonderfully versatile ink pads to colour up your white gloss card so you have a variety of gloss card to work on. The below atc has "Pine Needles" Distress Pad applied to white gloss card with a little sponge. Don't just blob the sponge up and down on the card, you have to rub it vigorously all over the card backwards & forwards completely covering in one motion so you don't have extra colour in certain spots.
If you know what Pine Needles looks like on normal matte card stock, this is a spectacular colour difference compared to the matte card stock. The stamping in the background is my favourite copper - Brilliance Cosmic Copper - best thing about the Brilliance pads is they will dry on vellum & on gloss card! Black Stazon is used to do the main image stamping (Lina Cavalieri from Stampington). Etal metal are the little corner pieces under the brads and the wording is copper card stock that I've cut into a thin strip and run it through my dymo hand punch with a little black ink rubbed over the top and some aqua coloured paint wiped on the edges.

I'm off to Newcastle tomorrow night so won't be posting for a week....I'll certainly miss my emails and the back & forth of the Internet chatter but it'll be good to catch up with some girls over East who I've only conversed with on-line, plus I get to teach a workshop! Woo-hoo!!!


Now an atc with rinse-aid resist technique for the background....
For those of you who love the German Scrap that I use on a lot of my work, it is now available on-line through the store where I work, 
I'm going to be teaching a workshop when I visit over East and hope to show the girls some of the things that they've been asking about on my blog.....hi girls ....see you soon!

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This next one, also using rinse-aid resist, is a 4" x 6" canvas I made for a gift for a family member. It seems kind of "bland" as it's one of the very first canvases I did, I think I would do more to it these days!
Also made today was a couple more Spotlight Technique atc's for the up-coming atc class next Saturday...one of these will become the raffle atc.
Next one is on plain copy paper, smoosh technique using Rangers Distress ink in Mustard Seed and Pine Needles. Second image is on plain white cardstock, colouring was done using the Ranger Cut 'n dry nibs on the Distress Ink Pads in various colours - Tattered Rose, Pine Needles, Broken China and Worn Lipstick. As well as the inimitable German Scrap coloured with Treasure Gold!
Coming up soon in my atc classes is a crackle class. There are several products out there that will do a crackle effect, not always exactly how you want them to though! This next atc I have used the Helmar 2 step crackle on the angel and after it was dry & cracked, I rubbed some Quinacridone Crimson (Golden) over the top to define the cracks...love crackle!!! Will be interesting to see how Tim Holtz's new crackle paint turns out. I believe this is a 1 step crackle with is always a bonus PLUS it's going to come in all the fabulous distress colours. Think I might put off the crackle class until this stuff arrives in our store!

Next one is also a peeled paper background but this time done with plain copier paper...great texture! I also love "deep" quotes...lol There's a bit of mica attached to the top right hand corner, giving it a little darker appearance on the scanner and the image and words are outlined in a silver crayon...nice grungy effect.
The next one has an alcohol ink background, stamped with the Leonardo da Vinci stamp, same image stamped onto a domino that has been coloured with the same colours of alcohol inks. Gold thread was wrapped around the card before being attached to the black mat board background, then some gold german scrap added down both sides (my gloss card was a little on the "slim" side so I needed to cover the edges for balance....no such thing as a mistake! lol). Please notice the pink colour.....see, I can do pink!



One thing I should mention at this point, at each step along the way I use my heat gun to dry the canvas. So dry after the Nickel Azo Gold, dry the image after painting, dry after stamping, dry after gluing images down, dry after coating images with gel medium. If you don't do this, the paints will mix together and that's not what you want. 
This is a piece of lovely white German Scrap that is sold at the store where I work (
I printed out a quote that I wanted to use from my computer and Epson printer (with Durabrite inks) and attached it to chipboard using double-sided adhesive.
The next step was to use some Paynes Grey on my transdermal applicator (you know....the finger) to add some depth around the image and a little around the edges of the canvas so it's not just one colour right to the edges.
A close-up of these...
The final paint step is to dry-brush some Golden Interference Gold over sections of the canvas...this can't really be seen on the computer but when you tilt it to the light, that's when it shows up! I also rubbed some "White Diamond" Treasure Gold (a wax medium) over the texture paste scroll and the German Scrap and some of the edges.