Tuesday, July 26, 2016

YUPO WITH ALCOHOL INKS

This is the beginning of Book #16 and it's a Yupo and Alcohol Ink class.  Yupo is a synthetic paper that is non-porous so you can use any of your alcohol inks on it and the colours remain very, VERY vibrant!  The white pen I have used that stands out so well on the alcohol inks is a Sharpie Water-based marker.  Probably the best white pen I've used!  I also used a Black Extra Fine Sharpie as well.

So the idea for my samples is to drop individual drips onto the Yupo (remember that these 5 samples below are atc sized which is 2-1/2" x 3-1/2" which is very small) and you can add other colours inside of a previously applied colour but it is really a matter of trail and error.  Some colours will bloom with another different coloured edge, one that comes to mind was Cool Peri Alcohol Ink which is a light mauve colour but blooms with a brighter pink border!  You can use pressurised air in a can to blow it around before it dries, you can also add rubbing alcohol by drips or spray to make the inks react further, it's just a lot of trial and error.  If you want to do more of a landscape you need to work on a larger size.  

My cover is a piece of Yupo that is 8" wide by 6" high and I managed to get a landscape sort of theme happening because of this larger size.  Experiment, play and don't think something is no good, put it aside and come back to it.  

This is my cover...

"Jellyfish"...

"Friends close"...

"Moon"...

"The sea"...

"Caged"... (my attempt at a landscape
on a smaller scale)

Below are the same 5 atc's with only the alcohol ink on the Yupo paper.  You can see what a difference it makes by using the white  and black pen!

Jellyfish

Friends close

Moon

The sea

Caged

Tuesday, July 12, 2016

BLEEDING BACKGROUNDS

This is the last technique for this current book so the next technique in a fortnight will be the beginning of Book #16 and we will be using Yupo Paper!!!   Before I get ahead of myself with the excitement of Yupo Paper and Alcohol Inks, this fortnight's technique is called Bleeding Backgrounds.  I have used both crepe paper as well as cheap tissue paper (not the acid free stuff) as these both bleed beautifully onto watercolour paper when you add water.  I quite like some of the white exposed areas as well but if you wanted to totally cover your area, you can.  

You can either stamp straight onto the background and then use your chosen colouring in medium to colour in your image, ie: Gelato's, watercolour crayons, Twinkling H2O's, Distress Markers etc.  I actually used watercolour pencils to colour in the image first, then used an aqua brush (water brush that holds water in the barrel) to blend the colours together.  In the first two examples below, Bacteria and Regenerate, I stamped the images onto plain card and coloured first before fussy cutting out and attaching to the background.  The final two were both stamped straight onto the background and then I used watercolour pencils to add extra colour and water to blend.

"Bacteria"... (like my hand-drawn bacteria?)

"Regenerate"...

"Eat WHAT?"...

"Home"...

Friday, July 1, 2016

TEXTURED METALLIC BACKGROUNDS

The class this fortnight uses both white smooth watercolour card as well as Kraft colour card.  Both give a very different look with the white showing more of the true colours and the Kraft giving a darker tone because of the brown colour of the base of this card.  I have used both Distress Stains as well as the Distress Paints using Tim Holtz's method of swiping colour onto the craft sheet (not to be confused with the Kraft coloured card!  ;-)   and then swiping your card through it.  In all instances I have made sure to include one of the 3 metallic stains or paints to give a metallic lustre to the cards that you can't see on the computer screen.  I also used gesso to make extra marks on the cards and on most of them have coated the gesso with embossing powder for extra texture to the embossing.  

"Not cheap"... (Paints on white watercolour card)

"100%"... (Stains on white watercolour card)

"Twirl"... (Paint on white watercolour card)

"New eyes"... (Stains on white watercolour card)

"Chaos"... (Stains on Kraft card)
Notice the little skull stamped shapes in the background?  They were
made by cutting some craft foam into a skull shape and
stamping into gesso and then coating with a little embossing
powder.  Embossing powder wasn't over all of the stamping, 
just a little to add some texture.


The samples below are all on the Kraft coloured card.  You can see
how the Metallic paints in the Stains and Paints really make it shimmer!

Stains...

Paint...

Paint...

"Stains"...

Thursday, June 16, 2016

PACKING TAPE TRANSFERS

Years ago when I first got interested in all things paper and mixed media, I tried a technique called Packing Tape Transfers.  These were done using magazine images and ordinary clear packing tape (like Sellotape but is generally about 48mm or 2" wide).  They worked really well and I wanted to do a class using this technique.  Problem is, magazine images don't really lend themselves to atc's as either the size is wrong or the subject is not what you're after.  

So find some images, print them onto your normal printer paper and head off to your local copy shop that uses colour toner/laser printers and get them to do some copies for you.  Lay down the packing tape over the image, generally you have to add two skinny strips down each side if you want it to be the right size for atc's and you do need to overlap this join slightly.  Then burnish well and place the image that's covered with the packing tape into a glass of water and leave soak for a couple of minutes.  Pull it out and start to rub off the paper that's on the back.  It will pill up and roll away, keep going until  you've removed all of your paper pulp and your image from the laser copier will have transferred to the packing tape.  Let this dry and generally the stickiness comes back and you then just attach it over a background of your choice... book paper or light coloured smooth backgrounds work well!  

On the "Wanty" atc below I've stitched around the edge as well for a different look and on others I've gone for some sort of a framed effect.

"Casket"...

"Haunting"...

"Wanty"...

"Eternal Love"...

"A happy colour"... (the edge on this one is
black texture paste with a pewter wax over it)

Tuesday, May 31, 2016

PLAYING CARD ATC'S

I SO love my Stampotique stamps and I particularly love the range from Daniel Torrente and Jill Penney who design for Stampotique.  Recently on the Stampotique Facebook page there was a post with some playing cards made using the playing card background and some of the Stampotique stamps.  I couldn't use the background stamp from Stampotique because it's too large for an atc so no good for my classes so I cut out a template and improvised!   I think these turned out quite well for such little colour used on them.

Of course, you could always colour in your images but I like the clean look that imitates playing cards using mainly black, white and red (with maybe a little bling thrown in for good measure).  You need to mask off the bottom half of the card to do this technique but that's no big deal and I also made sure I printed out some good card playing quotes for my girls to use as well!

"Such a card"...

"A full deck"...

"Jack"...

"Play your cards right"...

"Drama Queen"...

Tuesday, May 17, 2016

DIE-CUT RESIST

 When I was in the United States recently I bought a couple of boxes of Reynolds Waxed Paper as it's almost impossible to buy decent waxed paper here in Australia (and it was $1.69 a roll!!!).  I've used waxed paper before for resist techniques and stumbled across another way of using it for backgrounds.... run it through your die-cut machine (Sizzix Big Shot or Cuttlebug etc.) with your die-cut shapes!  (I used these on gloss card, a much better result than with plain card stock.) It works really well and I tried out various methods of colouring but found that Distress Stains spritzed with a little water made really pretty background colours and when you wipe off the excess when it's dry using a damp paper towel, the wax design is revealed!  Imperfect?...perfect!!!

"Whisper"...

 "Nothing good"...

"Realism"...

"Parlour games"... (as in "step into my
parlour said the spider to the fly").  This
particular card was coloured using
Distress Ink Pads with sponges and then
water flicked on to get the little spots.

"Need a crown"... This one was coloured
using Brusho's.  You do need to blot the
Brusho off to get most of the water off
before you'll see the wax design.

Friday, May 6, 2016

POLISHED STONE

Polished Stone is a technique that has been around for quite a while and while using alcohol inks has made it a really simple technique, not everyone has all the beautiful colours of alcohol inks.  Most people do have some dye re-inkers though and these are what is used for this particular version, along with rubbing alcohol (which is like the Blending Solution that you use with the alcohol inks).

I have used the Ranger Distress Re-inkers because this is what I have most of but you could try out any other dye re-inkers you have on hand.  I always like to start with the lightest colour and generally use two contrasting colours first, like blue, green or yellow and orange and then use a darker third colour to build up interest and intensity.  Depending on what particular stamp or image you use, you place your colours on the card where you like.

One of the obstacles of working on an atc sized piece of card (2-1/2" x 3-1/2") is because the area is so small, you need to not be too heavy handed and totally cover your card with the darker colour as you'll lose the lighter effect of the first application.  You might want to try this technique on a larger greeting card size first to get an idea of how it blends etc before tackling the smaller atc card.  I used a cotton wool ball for application.

"Eternity"... 

"Little key"... 

"Heels"... 

"Pixie Dust"... (the sparkly bits on the wings
are Angelina Fibre cut and added onto 
Glossy Accents while still wet)