SANDED EMBOSSING

 For this class we'll be pulling out the sanding paper/blocks to sand over the raised high points on embossed, coated cardstock or paper. The card/paper to be sanded must have a different colour core so you can then re-colour it to make the high points stand out. Your choise of embossing folder also matters as one that has lots of open areas doesn't show off this technique to its best advantage. I prefer to use the 3D embossing folders for this technique. I used a combination of the following, mirror card (white core), watercolour paper that had been watercoloured previously (white core), and black-coated Kraft card (Kraft core). You can also use various ways of adding colour, Distress Ink Pads, Oxide Distress Ink Pads and on coated paper (mirror card), you can use black paint but that needs to be treated a little differently as you don't want the black paint to dry before wiping it off. The idea of the black paint is you want it in the crevices, not over the whole thing. 

"Just one life"
(This is gold mirror card, sanded and painted
with black paint that is wiped off moments
after painting it on.)

"Attitude"
(This background is watercolour paper that
was sanded and Distress Oxide Ink
applied over the sanded areas.)


"Consequences"
(I love this quote. 😉
Smoosh background, sanded, Antique Linen
Distress Oxide Ink then clear embossing
powder over the inked areas.)

"Don't forget to fly"
(Another embossed, sanded background with
black paint.)

"Choose happiness"
A simple stencilled background with a leaf
embossing folder, sanded and ink applied
over the high points.)

"The scenic route"
(Black Kraft core paper, embossed, sanded
and inked in orange and yellow Oxide Inks.)

NEUROGRAPHIC DRAWING

 Neurographic Drawing was something I've been drawn to as I've noticed it more and more popping up in my feeds on FB and Insta. A description I found on Google says it is described as a technique that comprises drawing freeform lines or 'neuro lines'. These are meant to enable the connection between the conscious and unconscious, gaining access to the inner self by using a specific algorithm or method. I found it extremely addictive and very meditative as you aren't consciously thinking about what you're doing, you are just doing it. You can add colour, or not, doodle within the shapes, or not, add extra lines, ribbons, circles, dots, whatever you choose to do. I used a combination of watercolour paints, watercolour pencils and Pilot G-Tec C4 coloured gel pens to add the colours. The lines were done with Pentel DX 0.28 and Sharpie Super-fine black marker.

This is my cover for Technique Book #31.
The size is 20cm x 15cm (8" x 6") so is a fair
bit larger than the atc's that follow.


"Creativity"

"Disturb"

"Stop overthinking"

"Perspective"

"My path"

"Simplicity"

Finally, a card I made using an Elegant Writer Calligraphy pen. This pen is a black chisel tip felt style pen that bleeds when activated with water into gorgeous shades of grey, blue, mauve and pink. 

DRYWALL TAPE ACCENTS

 It never ceases to surprise me what household products are used in the pursuit of something "different" in the craft world. Years ago we used drywall tape, both the fibreglass one that has lots of little squares and also the paper adhesive type that has circles. I still have a roll of the paper circle style so thought I'd revisit it for the girls who've not used it before. It can be used as a stencil, just plain as it is or even embossed over. It's a bonus that it has an adhesive backing on it so it makes it really easy to stick down no matter what you decide to do with it. I do recommend de-tacking it on your clothing if you are going to stencil with it though so you can lift it off when you have finished adding your colouring to it. A great little accent for your background.

"Mood poisoning"

"Stronger than yesterday"


"Enunciate"


"Breathe"


"Use your wings"


"Best friend"

 

 

WREATH STAMPING

 There are templates that you can purchase to create a wreath style of stamping on a card. I chose to make one as it's a simple process and there are lots of YouTube videos available showing how to create your own. Card fronts are much bigger than ATCs so it can be a little challenging to get your wreath to fit onto the rectangular shape of an atc but it can be done, as shown by my samples below. The good thing is the same size template will also work for cards a it's all about the placement of the stamp on the door of the stamp positioner as to how small your wreath can be. Wreath stamping does not have to be leaves or flowers as is usually used. My samples show that you can use whatever small-sized stamps that you choose to. Yes, I chose bats, skulls and spiders for some of mine. I hope you give it a try, it's such a great technique!

"Excuse me"
(The black border around the edge of this atc is
created using the Distress Oxide re-inker from
my Bleeding Borders class. The gold accent
colour around the edge and on the bat is Golden
Hour Solar Paste swiped onto black. Such a
great effect!)


"Fly away"
(You can see you don't need to colour in the
background of the atc at all with this
technique. There is enough going on
with the wreath stamping and a focal image.)


Here is a closer look at the sparkle on the bee.


"Be you, bravely"
(The bleeding lines around the edge of this atc
is created with the Pilot G-Tec C4 gel pens that
come in colours and can be activated with water.
I love the Banksy sticker that makes the focal
point in the wreath and the little bootprints
were from a Christmas stamp set that I never used any
other parts of, except the boot prints.)

"Shine brightly"
(This background is Supervision Layering 
Watercolour paints. It is one colour that granulates
and separates into blue and purple.)


Another close-up to see the sparkle of the WOW
glittery embossing powder on the dragonfly.

"An unfortunate ending"

"Life is good"
(Sometimes clean and simple just works.
I was pretty impressed by how small I got that
wreath on the skull's head!)

DRY EMBOSSED STENCILS

 Stencils are an easy way to add something extra to a background and it can be as complex or as simple as you like. But did you know you can use your stencils to get a dry embossed look to your plain cardstock? The cheaper, thicker type of stencil works particularly well for this technique and you can buy a rubber embossing mat that is specially made for this purpose. I have a couple of rubber embossing mats but one of them was old and brittle so I was going to purchase another one, however I found that the silicone pet feeding or training mat from Kmart here in Australia was a perfect substitute. In fact, it's slightly thicker than the embossing mat so it works well. Two caveats, never run your embossing sandwich through twice, that is backwards and forwards, as the rubber stretches and you'll end up with a double impression and secondly, don't force the sandwich through your machine. You may need to shim to get just the right combination of cutting pads, rubber/silicone mat, stencil, platform. If it goes through too easily, you won't get a good impression on your card. I used Bristol Smooth for the card as it is reasonably heavyweight and the blending of the Oxide Ink pads on this card works beautifully. 

"Keep moving forward"
(I used a Uni-Ball Signo DX 0.28 black gel
pen to draw around the edges of this stencil
after adding the colour to make the petals
stand out.)


"Plant Parenthood"
(A grey brush marker was used on two edges of
this stencil design to give a shadow effect.)

"Live gently"


"CTRL + Z"

"Free to fly"

"No rain"

GEL PLATE DROPLETS

 Gel plates are such a versatile tool and by using ink pads instead of acrylic paint, you can make fast and straightforward backgrounds just with a bit of water and an ink pad. I had previously tried flicking Distress Spray Stains and Oxide Sprays onto a gel plate after inking but found that using just water instead of the sprays worked so much better. My choice of ink pad was Distress Oxide ink pads and you need very little water to get this effect.
If you want to see more detail in these pics, click on the first one and scroll through as I've taken the photos in fairly high resolution. Even though these are small, the little details on atc's matter. 

"Best day ever"

This shows the size of the print that is made
before cutting it down for an atc. As you can
see, you can spread the droplets out or have
them close together. I use a 5"x7" Gelli Plate.


"Two weevils"

"Let it go"

"Escape"

"The big picture"

"Go with the flow"
(The sand texture down the bottom of this atc
is Liquitex Glass Bead Gel mixed with a drop
of Antique Linen distress re-inker and then a
little silver wax rubbed lightly over the top
when dry.)

DIY SHIMMER PASTES

 Modelling pastes and similar products have been around for a while and since Lunar Pastes were introduced, they've seen a resurgence in popularity. I personally have a few Lunar Pastes but have also seen others making their own shimmer pastes by using a gloss heavy body gel medium and adding mica powder for that extra shimmer. You can also add a tiny amount of Distress Re-inker to colour your gel medium and then add the mica powder for the shine. You need to use gloss gel medium as this will allow the mica powder to shine. If you use matte gel medium, you can still colour this with the distress re-inkers but I wouldn't use the mica powders as the matte gel medium won't allow the mica to shimmer. For this same reason, I wouldn't use Distress Oxide re-inkers with the gloss gel medium as they have a more matte appearance than the straight Distress re-inkers. There are so many videos around of how you can use the pastes and if you make your own, you only need to mix up as much as you need for your one specific project. I have a great set of 24 different colours of mica powder so that gives me many different options to choose from.
Note: A couple of my samples have also been made by mixing glass bead gel (gloss gel medium mixed with clear reflective glass beads) with the mica powder. Another great combination of products!

"Focus"
(The sunflower was stencilled using black and 
gold DIY shimmer pastes. A little orange mica
spray was splattered over when dry. The
dragonfly is from the transparent wings set
from Idea-ology, Tim Holtz.)


"Gears"
(3 colours - gold, silver & orange, of Lunar Pastes
were scraped over a piece of plain black card
to create a quick-drying background which was
then embossed with an embossing folder.)


"Enjoy the flight"
(Black mica powder mixed with glass bead gel
to create the rocky foreground.)


"Fake people"
(DIY shimmer pastes through a stencil and
when dry, gold metallic wax was rubbed
over portions to give extra shine.)

"Adventure awaits"
(The mountain was created with the black mica
powder mixed with glass bead gel so it not only
has gorgeous shimmer, it is also very textured
with the little glass beads feeling very bumpy
when you run your fingers over it.)

"Wander"
(3 colours of DIY shimmer pastes through
a stencil for the background.)

This is a card that I made using mica powder mixed with
glass bead gel to create the base of the leaf stem as well
as the little dots on the end of the spikes. This card
really shimmers as the leaves have been painted with
the gorgeous Lisilinka paints.