STENCIL RESIST

 Die-cut machines are useful for more than just cutting die shapes or using embossing folders; they also work great with stencils. You just need to get the correct sandwich layers to make an impression on your card as you run it through your machine, and your stencil needs to be no wider than your machine opening. This technique utilises stencils and pre-inked cards to create a resist technique that makes wonderful backgrounds for images or other die-cuts. I used Bristol smooth cardstock for the base of these and Distress Inks to add the colour, not Oxide inks; the Distress Inks worked better.

Shit just got surreal


If you want to fly

Thriving

Starfish

Maybe swearing will help

Curated version of life
(ain't that the truth!!!)


This one below is from my previous class last fortnight, Abstract Gel Print Landscapes.
I love the colours in this, and it turned out better than I thought it would.
Box of crayons

ABSTRACT GEL PRINT LANDSCAPES

 There are so many different effects you can achieve by using acrylic paints and a Gelli plate. I've recently bought a 5"x7" Gelelf plate and am really happy with it! My previous gel plate was stained yellow from using alcohol inks on it, which doesn't affect how it works; it just means you don't get a true colour representation if you look at the underside of your gel plate to see what the pulled print will look like. I wanted to try an abstract landscape technique I'd seen recently, and because this is also a cover class where the pull needs to be big enough to fit my 6" x 8" cover of my book, this technique works perfectly, and it also makes perfect ATC-sized prints. I used only Amsterdam paints for all of these prints, as I've found some paints bead up on a gel plate, and I needed consistency for this technique. This is the cover for Technique Book #35.

The size of my cover for my book is 6" x 8" (15cm x 20cm),
so a 5" x 7" gel print fits really well with a border around it.


Seawater


Cosmic Insignificance
(I love these little rocket ship dies)

Go+See+Explore

Flowers don't tell

Breathe

Box of crayons


Live in the moment

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This is one of my full-size pulls from my 5" x 7" gel plate to
give an idea of how the whole sheet looks before
cutting it up into ATCs.

ARCHIVAL ALCOHOL SPRITZ

 I've had my Distress Archival ink pads for quite a few years, but have never used them for this particular technique. They are my go-to if I want a permanent ink, and if you're quick, you can emboss them with embossing powder too. This technique gives a very blended, smooth transition when using multiple colours, and it's the 99% isopropyl alcohol that makes this happen. This is an easy background for my Christmas-themed ATCs this month.

The least knobby dot
(I had to explain this one to my hubby, as he's
not well-versed with Christmas songs.)


I identify as a Xmas tree

Come let us ignore you

Sparkle

I'm tired


Spooky

EASY BLACKOUT TECHNIQUE

 A previous blackout technique I used was more time-consuming, as it involved colouring the entire background of the embossed image with a permanent marker, such as a Sharpie. This was using embossing folders, not stamp embossing. I coloured the design of the folder with watercolours or other colouring medium, then filled in the background with the black Sharpie pen. As I mentioned, it is time-consuming.

This time, it's a much quicker way to create a similar look, but by using the debossed side of an embossed image and using an ink pad over the top to colour the background. It gives a more imperfect look, and I took it up a notch by clear-embossing the ink swiping (that's the shine you can see on some areas of the ATCs). I have managed to use normal 2D embossing folders as well, so you're not limited to only using 3D folders.

Abra cadaver

Diet

No shortcuts

Positive thoughts

Be-leaf

Live simply

STITCHED LANDSCAPES

 This technique uses the gel prints that we made in the last class, Small Texture Gel Prints. Tearing the pieces of gel print into small pieces and layering them, you can create wonderful landscape designs that are then further highlighted with the use of hand stitching with metallic threads to hold it all in place. An alternative is to use a sewing machine to stitch the papers down. I have done both in the samples below. These are all created on 200gsm Baohong watercolour paper that has the sky area painted before layering the papers. Such a satisfying technique, and it's a great use of gel prints, but could also be done by using plain and small patterned papers. For the first time, I'm using no quotes or words on these as I want the landscapes to speak for themselves; however, I had to call them something so each has a name as a description.

Red Sky

Moonlit Sea
(Here's a good trick to get that perfect moon on
watercolour. Wrap a 5c piece (approx dime size)
with a tissue and while the sky is still wet, press
the tissue-wrapped coin into the sky.
It will leave the perfect moon shape.)


Barren Hills

Golden Sun

Chocolate Hills
(In the Philippines, there is an area with hills that turn
brown when the green dies off. They
are called Chocolate Hills. This reminded
me of the pictures that I'd seen of them.)

Blue Lake

SMALL TEXTURE GEL PRINTS

I wanted to create some gel prints with some texture in the acrylic paint but needed the texture to be small in scale as the gel prints will be used in a future class. Gel prints are always such a great background to use for ATCs and cards and because of the versatility of acrylic paint on the paper, it can handle stamping and embossing, die-cuts and images equally well. This means it is truly a fantastic basic background to build your design onto. I discovered amongst my stash some clear, lightweight plastic texture plates that I had from using with air-dry clay years ago and these work perfectly to add small scale texture to the acrylic paint. These are all a one-pull print so no waiting for paint to dry, so you do need to work quickly to get the pull done before the paint dries on the plate. 

"Length of life"


"Holding grudges"

"Vague"

"Shine"

"Shine" close-up showing the gorgeous
shimmery paint on the bulb.

"Gardener wanted"


"Gardener wanted" close-up.

"Float away"
(I added some white acrylic paint with a
stencil over this background.)

 

TWIST TIES TECHNIQUE

 I saw on a Facebook ATC group I belong to that one of the ladies on there had used twist ties as an embellishment. I thought this was a brilliant idea and ran with it, trying to come up with different ways to utilise these little pieces of paper-covered wire. I made sure I bought paper ones as these would take paint, both acrylic and watercolour, as well as acrylic paint markers and even sharpies and metallic wax. You are only limited by your imagination with these little 10cm (4") decorative elements.

"Feeling cute"

"Sea kelp"


"If a cat could talk"

"Life is art"

"Talk dirt to me"


"Yesterday is heavy"