

One thing I should mention at this point, at each step along the way I use my heat gun to dry the canvas. So dry after the Nickel Azo Gold, dry the image after painting, dry after stamping, dry after gluing images down, dry after coating images with gel medium. If you don't do this, the paints will mix together and that's not what you want. 
The gauze was then painted with a wash of Quin Nickel Azo Gold, dried, Dioxazine purple, dried and then a light wash of Paynes Grey and dried again.
This is a piece of lovely white German Scrap that is sold at the store where I work (Scraptivate). We also have the white wings and another beautiful border that looks like a scallop (plus the standard gold, silver and black colours in borders & wings!).
The white German Scrap was painted with Quin Nickel Azo Gold and dried.
Next was a coat of the Dioxazine purple, then dried.
I attached the painted German Scrap to the canvas using Golden Extra Heavy gel matte and then coated it with the Golden soft gel medium.
I printed out a quote that I wanted to use from my computer and Epson printer (with Durabrite inks) and attached it to chipboard using double-sided adhesive.
This quote was then coloured using Ranger Distress inks on a little sponge, firstly Spiced Marmalade, then Dusty Concord (a purple colour). I edged the sides of the chipboard with a mustard coloured sharpie pen....have I mentioned I LOVE my sharpies??? lol
The next step was to use some Paynes Grey on my transdermal applicator (you know....the finger) to add some depth around the image and a little around the edges of the canvas so it's not just one colour right to the edges.
A close-up of these...
The final paint step is to dry-brush some Golden Interference Gold over sections of the canvas...this can't really be seen on the computer but when you tilt it to the light, that's when it shows up! I also rubbed some "White Diamond" Treasure Gold (a wax medium) over the texture paste scroll and the German Scrap and some of the edges.






Going into the studio now to do some work on the 2 canvases I should've already finished by now.....promise Barb.....you'll have it soon!




..now open....jpg)
now - open....(don't you love Dorothy Parker's quote on this one!)
Third one with the "doors" - closed...
Third one...open....jpg)
Here's a close-up of the transparency that's on the front cover.
Inside....

Below is the back cover....you can just see some of the texture but you really need to feel how lumpy & bumpy it is. This will be another future technique coming up in the atc classes....sssshhhhhhhhh!!!!!

I had a play with some of the Helmar's 2-step crackle medium the other day. Wanted to see how it compared to a couple of other crackle's I've tried (Jo Sonja 1 step crackle & the Ranger Crackle Accents). I was quite happy with how it worked, though being impatient as I am, I forced the 2nd layer to dry with the heat gun and probably over-heated it a little. Will try to have more patience next time....yeah...right!!! I know that crackle medium is dependent on several things, your paint stroke style, thickness, drying time etc so I'd be happy enough to recommend this particular one, though I will have more of a play with it in the future.
Hmmm....you can't really see the crackle well on this atc as the suits are so dark, might have to try it on a lighter image and see if it scans better. Trust me, there are cracks there!!!
