I was inspired by the Idea-ology shattered transparencies for this technique. Their sheets of shattered glass however didn't suit ATCs as the holes/cracks were in the wrong place, so I created my own using acetate. I found this technique worked best using an image that had been cut out from its background and love the creepy girls that I had in my stash of images. Your background choice is important too as it can't be too light or too busy a pattern otherwise you lose the white cracks on the acetate. Attaching the acetate was no problem with the Tiny Attacher (mini stapler) and I always colour my mini staples with a Sharpie or coloured alcohol marker to suit the background. Most people don't even notice the staples in the corners but they become part of the design element and I'm happy with them showing.
Nocturnal
Tuesday, February 11, 2025
CRACKED ACETATE
Tuesday, January 28, 2025
POWDERED GELLI PRINTS
After a much-needed hiatus over the Christmas & New Year period, I'm ready to get back into creating ATCs with lots of great new techniques. As usual, I'm starting the year off with a simple one so I don't crash the brains of the girls in their first class. I'll be using both baby powder and graphite powder to act as a resist on Gelli prints. You can get some really great effects and it can be layered or used with stencils. I'm keeping it simple this time so no stencils will be used, just the powders.
To see these images more clearly, click on the first one and scroll through. I save them in a high resolution so the detail is much better when it's larger. Of course, they always look better on a laptop or desktop pc. 😊
"Morally grey"
"Join NASA"
"Life is art"
"Stability"
"Moonlight mayhem"
Tuesday, December 3, 2024
STENCIL LIFT-OFF WITH WATERCOLOURS
One of the reasons I love watercolours so much is that with most of the colours, you can lift off some paint to create lighter areas. This works particularly well with stencils as the following samples show. The beauty of this technique is you don't need to do anything special with laying down your watercolour background, it's just that, a background so slap that colour down. It can be a single colour, some granulating colours or multiple colours. They are all tied together when you use the stencil to remove some of the paint and then add your die-cuts or imagery on top. Gel pens and sparkly paint can also help to elevate these to the next level. I've tried to keep these fairly simple to not detract from the beautiful watercolour paints, particularly some of the granulating or mica shift paints.
"Let's play a game"
(I've wanted to use this hangman charm
for quite a while and I thought it suited
this atc perfectly.)
(I kept the watercolour paint more contained
on this background. The paint is a Mica
Supervision granulating paint and splits
into blue and gold. I made the feathers
and the bird from washi tape.)
"Champagne"
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"We live but for a moment"
(Only 2 colours of granulating paint were
used for this one with a little metallic gel
pen for the details in the water and weeds.)
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"Seas the day"
(The jellyfish are cut from vellum. It's very
difficult to see the shimmer paints used on
this one, trust me, it's very sparkly!)
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"Let life surprise you"
(You don't have to cover the whole of the
background with the stencil, just partially
taking away some of the paint works well too.)
Tuesday, November 19, 2024
ALCOHOL INK VASELINE RESIST
This class uses alcohol inks and Vaseline to create a resist technique. The most important part of this technique is care in choosing which stamp to use. It needs to be big enough to be a focal point and the colours of your alcohol inks need to be dark or bright enough for the resist-stamped image to show through. These atcs can then be further enhanced with words, die-cuts, rub-ons, stickles, or any of the myriad of embellishments that we all have and sometimes forget to use.
To see these in greater detail, click on the image and scroll through.
Tuesday, November 5, 2024
WATERCOLOUR FODDER ACCENTS
I'm always amazed at how a watercolour quick and easily painted subject can turn out to be such a wonderful focal point on an atc or a card. With the addition of black and/or white gel pen markings, then cutting the design out, and raising it up on foam tape, it takes a simple atc to another level altogether. You don't need to be a fantastic watercolour artist either, naive paintings of leaves, mushrooms, flowers, and even child-like houses, will all work. These are so much fun to create you'll want to just keep going until you have a huge stash of fodder that you can use at another time on an atc, in a journal or on a card.
"Ghosts"
words onto a piece of acetate that is slightly
wider than the background so it is bowed
in the middle and pops up a bit.
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"Home"
(I love this quote! 😊)
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"Find what you seek"
(This background was one I had made in a previous
class and the colours just worked perfectly for my
leaf and mushroom fodder.)
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"Just breathe"
(You can't see it but the leaf on this one has been
crumpled up and raised up higher in some areas
with a double-layer of foam tape to give a very
dimensional shape to the leaf. I spritzed
the back of the watercolour painted leaf to make
it easier to crumple up as it is 300gsm watercolour
paper and is very thick.)
Monday, October 21, 2024
MARBLED STENCILS
The last time we did marbling with re-inkers and shaving foam was back in 2010. It's such an easy technique and this variation is just as effective! Previously we dipped the card into the shaving foam that the Distress re-inkers were dropped onto and then marbled with a skewer onto the foam to create the marble look. This time we'll be applying it through a stencil to give a different spin on it. With 72 colours of Distress re-inkers, there will be plenty of colour combinations that can be created. I'll be using Bristol Smooth cardstock but any white/ivory/cream cardstock will work with this technique.
To see these atcs in more detail, click on the first one and scroll through.
Tuesday, October 8, 2024
POWDERED PIGMENTS & COFFEE FILTERS
Powdered pigments are little jars of fabulous that have multiple colours in them that burst into life when spritzed with water. The assorted colours of tiny pigments in each container make up that particular colour if you mix them together in say a paint palette, but when they are just sprinkled and then spritzed, you get to see all the various colours that make up that specific colour. Black in particular is amazing with lots of shades of blues, oranges, deep purples and others that go together to make black in this format. The brands that I have and use are Brushos, Lindy's Stamp Gang Magicals, Cosmic Shimmer Pixie Powders and Nuvo Shimmer Powder. I sprinkled the powders onto a dry coffee filter, then spritzed to get the colours to show. You can then decide whether to pick up the wet coffee filter and place it onto your glossy photo paper or you can press the photo paper directly onto the wet coffee filter for a different effect. The photo paper absorbs the colour immediately so you can't spread the colour around as it grabs the colour. This is another of those techniques where you can't replicate anything, each individual atc is unique. Glossy photo paper is a great substrate and takes either black Stazon ink well if you choose to stamp or you can use Black Soot Distress Archival Ink, allow both inks to dry though so as not to smear them.
"Half spent"
(The black bats in the background are black
opaque texture paste by Ranger through a
bat stencil.)
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